Amazing Sculpture You Can Do (Gateways Fine Art) by E. J. Gold PDF

By E. J. Gold

ISBN-10: 0895562588

ISBN-13: 9780895562586

Fantastically illustrated with tutorial pictures, this guidebook enables artists of all levels to create their personal unique clay sculptures. themes lined comprise step by step methods on the best way to decide an armature, clay software, tips about which instruments to exploit, and proposals for casting accomplished sculptures.

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Extra info for Amazing Sculpture You Can Do (Gateways Fine Art)

Sample text

28 Screw the bust assembly onto its base if you are using the commercial Sculpture House head armature. Merely stick the wire head and neck assembly into the hole in the wooden attachment that carries the base screw. com/sculpture/armature. 29 Famous world-class sculptor Claude Needham is holding up two different sizes of commercial armatures, 15" and 18", which are available from Sculpture House. They come unassembled with a base, but are very easy to put together in just a few moments. 30 The commercial wire head armature comes flat.

You’ll soon find that sharing a studio has many advantages, including sharing the model fees, shipping costs and helping each other with heavy objects. 41 This is about the right thickness of a slab cut. Note that it's best to cut the brick on the short side, not lengthwise. 42 You're starting to get into body contact with the clay, to actually get into one-to-one relationship with the medium to have a tactile relationship with the clay and a tactile relationship with the armature. That is very important because actually sculpture is a tactile art.

38 Begin by slicing off 3/8” slabs from the larger block of Roma Plastilina with your double-handled wire tool. 39 Soft clay will load best onto your armature. Hard clay won’t stick to either the metal armature or to the larger body of clay. Your job now is to make the big hard brick of Plastilina into small soft blobs of useable clay. 40 Cutting the slab into smaller pieces might require help from a friend, neighbor or fellow artist. You’ll soon find that sharing a studio has many advantages, including sharing the model fees, shipping costs and helping each other with heavy objects.

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Amazing Sculpture You Can Do (Gateways Fine Art) by E. J. Gold


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